Chinese Cinema(s) Slow Cinema, Male Nudity, & Censorship: An Interview with Wang Bing An exclusive interview with one of the world's most important filmmakers.
Baltic Cinema Radical Filmmaking & Killing Penises: An Interview with Miguel Llansó on Infinite Summer "I first wanted to kill the penis."
Baltic Cinema Infinite Summer Perfectly fits into the contemporary Estonian film landscape with its ironic genre play, strange sexual verve, and popping embrace of quirky digital visuals.
Baltic Cinema Dead Mountaineer’s Hotel Dead Mountaineer’s Hotel resists the ordinary in favor of the idiosyncratic and renegade.
No Gods Left Exclusives The Penguin Lessons An "anti-fascism" historical film whose idea of resisting demagogues is limited to letter writing and asking the paramilitary enforcer agents to kindly return the civilians they kidnap.
Marvel Cinematic Universe The Fantastic Four: First Steps The Fantastic Four: First Steps is the most Kirbyesque the Marvel Cinematic Universe has ever felt.
No Gods Left Exclusives The Invisibles There is something a little charming about [Andrew] Currie’s direction in its ability to maintain optimism and hope in Charlie’s darkest moments. Hopefully, that quality is contagious.
James Gunn Superman [James Gunn is] the last director standing in the superhero factory with anything left in a vision of heroism to tap into.
Vietnamese Cinema Detective Kien: The Headless Horror Ugly people don’t exist in Victor Vu's worlds, for better and worse.
No Gods Left Exclusives Ash Ash is the vision of a filmmaker reared on the hectic images of music videos. The ambition gets swallowed by its derivativeness.
No Gods Left Exclusives Mission: Impossible – The Final Reckoning This is Tom Cruise at this best, at his most vulnerable, and at his most ambitious.
No Gods Left Exclusives Shapeshifters, Religion, and Other Ghouls with Constantin Werner: Writer and Producer of In the Lost Lands Werner gives his insights about co-writing with Paul WS Anderson, the challenges of producing the project, the differences between his screenplay and both Martin’s original text and the final film, the role of religion in the story, the filmmaking lessons he gleaned, and much more.
No Gods Left Exclusives Sinners Ryan Coogler gets dangerously close to the horrifying center of American culture over the course of the single night — close enough for Sinners to dance with America’s original sin.
No Gods Left Exclusives In The Lost Lands The sort of world one wishes they could give Ted Cruz a one-way ticket to.
No Gods Left Exclusives A Moving-Picture Analysis of the 2025 4 Nations Face-Off A film critic’s analysis of the national American broadcasts of the 2025 4 Nations Face-Off, aired between ESPN and TSN.