Tallinn Black Nights Film Festival (PӦFF27) - There Were No Gods Left

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Tallinn Black Nights Film Festival (PӦFF27)

A collection of 12 posts

Vera and the Pleasure of Others

Spanish Language Cinema

Vera and the Pleasure of Others

PӦFF (Tallinn Black Nights Film Festival ) Interview: Director Deimantas Narkevičius on Twittering Soul

PӦFF (Tallinn Black Nights Film Festival ) Interview: Director Deimantas Narkevičius on Twittering Soul

Very rarely does a screening of a film become an essential cinephile event.

The 27th Tallinn Black Nights Film Festival (PӦFF)

The 27th Tallinn Black Nights Film Festival (PӦFF)

The only International Federation of Film Producers Associations (FIAPF) A-list film festival in Northern Europe or the Baltic, Estonia’s Tallinn Black Nights Film Festival just wrapped up its 27th year and celebrated by breaking all major attendance records from the festival’s history, as PӦFF director Tiina Lokk-Tramberg shared

Tallinn Black Nights Film Festival: Amal & Cat Call

Tallinn Black Nights Film Festival: Amal & Cat Call

Amal is the kind of film I expect to see a lot more of from French-speaking Europe over the next decade: well-intended, competently-made, and incredibly simplistic films that divide the rising Islamic community in Europe into either the good European progressives that hide all religiosity from the p

Tallinn Black Nights Film Festival: Dark Paradise

Tallinn Black Nights Film Festival: Dark Paradise

One of the most discussed Estonian films of the year, Dark Paradise is a strange beast from one of the country’s most promising and rising young talents, Triin Ruumet. The 35-year-old’s second feature doesn’t tiptoe around such complex and controversial topics like Neo-Nazism, kink, BDSM, and half-sibling

Tallinn Black Nights Film Festival: Guardians of the Formula and Fez Summer '55

Tallinn Black Nights Film Festival: Guardians of the Formula and Fez Summer '55

The “Balkan Oppenheimer” is both an exceptional medical procedural and nuclear film, likely making it one of a kind in this respect.

Tallinn Black Nights Film Festival: The Zone of Interest

Tallinn Black Nights Film Festival: The Zone of Interest

I’m not convinced that The Zone of Interest, the first film in a decade from provocateur Jonathan Glazer, is a film about the banality of evil per se. It’s more of a horrific record of of the banality — and that distinction matters.

Tallinn Black Nights Film Festival: Inside the Yellow Cocoon Shell & Ten Months

Tallinn Black Nights Film Festival: Inside the Yellow Cocoon Shell & Ten Months

INSIDE THE YELLOW COCOON SHELL (2023) — dir. Pham Thien An The winner of the Caméra d’Or at this year’s Cannes Film Festival, Inside the Yellow Cocoon Shell will surely join the ranks as the latest surefire Letterboxd-type cinephile slow-cinema favorite. A Vietnamese language film co-produced by Vietnam, Singapore,

Tallinn Black Nights Film Festival: How to Have Sex

Tallinn Black Nights Film Festival: How to Have Sex

Vacation in Malia on the Greek island of Crete, a British tourist hub that might as well be hedonism incarnate, doesn’t end well for the three teen girls who travel there on holiday break in Molly Manning Walker’s directorial debut How To Have Sex. The title, however, is

Tallinn Black Nights Film Festival: One Life (2023)

Tallinn Black Nights Film Festival (PӦFF)

Tallinn Black Nights Film Festival: One Life (2023)

The Academy Award-winning costume designer behind Black Panther, Ruth Carter once noted she didn’t just start making superhero films. She’s been making them for decades, with a filmography that includes Malcolm X, Amistad and Selma. Carter’s right. There are two different kinds of superhero films: the corporate

Tallinn Black Nights Film Festival: All of Us Strangers

Tallinn Black Nights Film Festival: All of Us Strangers

Andrew Scott’s performance alone is worth the investment of time and money even as the film doesn’t quite work as a whole.

Tallinn Black Nights Film Festival: Ferrari (2023)

Tallinn Black Nights Film Festival (PӦFF)

Tallinn Black Nights Film Festival: Ferrari (2023)

An altogether infertile American studio film, Michael Mann’s Ferrari neglects the creativity and bravura in the racing that any good racing movie should have and substitutes stereotypical housewife and mistress roles for the film’s two women.